"Tierney Gearon’s photographs have been called manipulative, disturbingly ambiguous, even perverse; the London police demanded that the Saatchi Gallery which first showed the offending photos of her young children take the pictures down. Tierney has always maintained she loves her subjects deeply and understands them better than anyone else. How could she not? They are her family."
"In her photographs as in her life, Gearon’s children form a powerful presence among the domesticity. They roam free, play-act and play up, sometimes to the camera and sometimes to the adults they find around them. Masks are again used as props: an old man, hiding his face behind a mask in the shape of a bird’s beak, looks down toward a young boy dressed in Sesame Street underpants. The boy faces away from the camera and stares up at his elder – we do not see his face, but from his confident pose we feel that it is actually the man who is hiding from his younger counterpart.
These children are not sentimentalized and neither are the adults alongside them. Gearon’s talent lies in an ability to capture life with all its surreal twists and confusions, as negotiated by young people in an adult world."